
I view this movie as a
totally unrealistic depiction of Winston Churchill in the days leading
up to D-Day . . . June 6, 1944, when allied forces stormed the beaches
in Normandy, France during WWII. It is well known that Churchill wanted
to continue to attack on more sites on the Mediterranean but was
overruled by the United States who felt the attack through France was
the quickest way to get to Germany and end the war.
Churchill
was fully in charge of allied military operations prior to the United
States entering the war in December 1941. He was obviously frustrated
because he had lost the power to dictate military operations. But the
movie shows that this loss totally devastated him.
The movie shows Churchill almost catatonic because he felt that our attack was the wrong strategy . . . even though British forces were fully involved. The movie attempts to show that he was also was fearful of repeating his
deadly mistakes during World War I, in the Battle of Gallipoli, he was exhausted
by years of war, plagued by depression and obsessed with his historical
destiny.
From Other Reviews: In the annals of historical biopics, Jonathan Teplitzsky’s
“Churchill” stands out as a uniquely awful and tedious caricature of a
fascinating subject. The film, which imagines British prime minister
Winston S. Churchill as wracked with misgivings and opposing the Allied
Forces’ D-Day invasion until the very last minute, strikes this reviewer
as a load of utter rubbish from first frame to last. Certainly,
movies have the right to varying degrees of creative license and to
interpret the characters and actions of historical figures. But the
screenwriter of “Churchill,” Alex von Tunzelmann, a historian herself,
has taken liberties that completely misrepresent the historical record.
“Churchill” is mostly a monotonous succession of scenes in which
Churchill raves, waves his arms and shouts at anyone in his vicinity
that D-Day mustn’t go forward. He has other ideas for an invasion. The
Aegean! Norway! Eventually Montgomery gets fed up and blasts him for his
“doubts, dithering and … treachery.” The latter word would be
justified, if any of this were actually true.Andrew Roberts, a prominent Churchill historian, wrote,
“The only problem with the movie … is that it gets absolutely
everything wrong. Never in the course of movie-making have so many
specious errors been made in so long a movie by so few writers.”
It really is that bad.